Showing posts with label Brooklyn Navy Yard. Show all posts
Showing posts with label Brooklyn Navy Yard. Show all posts

Wednesday, March 28, 2012

Before 'Newsies': The Brooklyn Newsboys Strike of 1886


The grueling life of a Brooklyn newsboy, taken by Lewis Hine, 1910 (Library of Congress)

The new Disney-produced Broadway musical 'Newsies' puts melody to the events surrounding the Newsboys Strike of 1899. For one week that summer, young newspaper sellers fought back against their employers' unfair pricing schemes, turning their former street corners into places of mass protest. [You can hear all about in our 2010 podcast on The Newsboys Strike of 1899.]

But did the producers of the Broadway show realize they're opening their new musical on the anniversary of another significant strike?

The organized disobedience of 1899 was only the grandest of New York's newsboy strikes. Despite their youth and inexperience, newsies fought back on several occasions throughout the late 19th century. While the image of the street-smart, scrappy whelp was a stereotype often relayed by the newspapers themselves, in some cases, journalism's youngest workforce used its hot-blooded pluck to great advantage.

With the growth of New York after the 1850s came a fierce competition among its many dozens of newspapers, leading to lamentable and unfair business practices aimed at those who actually sold their product. After all, selling newspapers was a grueling job with low financial reward. Adults looked elsewhere for higher paying work, so in the era before substantial child labor laws,  newspapers often employed younger New Yorkers, mostly boys. And children, cynical publishers believed, were a pliable workforce.

The independence the job required initially appeared to discourage any kind of organization, and newspapers felt they could systematically underpay their 'freelance' sellers, often pitting groups of newsboys against each other. A newspaper across the East River, in the pre-consolidation city of Brooklyn, made just such a mistake in March of 1886.



Above: Determined Brooklyn newsies hang around the Brooklyn Navy Yard (at Sands Street) looking for potential buyers. 1903 Picture courtesy Shorpy 

Brooklyn Takes Sides
The Brooklyn Times employed newsboys all throughout the city of Brooklyn, a fast expanding metropolis by the mid-1800s. Originally just the area we consider Brooklyn Heights and the Fulton Ferry, the burgeoning city grew to absorb many Long Island towns along the bay. In 1854, it also expanded to include the independent city of Williamsburgh (today's neighborhood drops the -h) and Bushwick. These new additions were often referred to as the Eastern District.

However, the city of Brooklyn had a good deal more expansion ahead of it and would eventually swell to include many towns south and southeast of its original borders, an area referred to back then as the Western District, including areas like Bay Ridge, Red Hook, and many others. (This is a tad confusing today as many of these areas were later called South Brooklyn; the Eastern/Western distinction makes sense of you orient it with 'true north'.)

In an effort to expand sales into the newer regions of Brooklyn, the Times made a unique deal to Western District newsboys. They would receive stacks of newspapers at a lower cost (one cent per paper) than those sold to Eastern District newsboys (one-and-a-fifth cent per paper). The Times publishers believed this would boost sales by encouraging the Western District newsies to "push sales vigorously in new directions."


Above: Newsies gathered near the Brooklyn Bridge. Courtesy NYPL

Riot on South Eighth Street!
Oh, but when the Eastern District newsboys found this out the following day! On March 29th, according to a report by the Brooklyn Daily Eagle, a hundred newsboys, armed with sticks and stones, stormed the Times distribution offices at South Eighth Street and tried to prevent two wagons of newspapers from heading to the Western District. A whip-wielding wagon driver and arriving police officers thwarted the boys, but one of the trucks was later overturned at the area around today's Brooklyn Navy Yard.

Many Williamsburg newsies refused to sell the Times, even defying orders of older, more compliant newsboys. Wagons filled with papers were continually attacked on their way south. Any regular newsboy caught selling the Times was set upon by other boys, often roving bands "backed by a number of roughs." The Daily Eagle reports of some young newsies hiding newspapers in their jackets, selling them to customers in secret, for fear of reprisal.

The Brooklyn newsboy strike lasted for a couple days. Like the later newsboys strike of 1899, the key to success came from adult newspaper sellers at regular newsstands. Once a few of them joined the boycott, the Times agreed to lower their wholesale cost to just one cent per paper for newsboys in both areas of Brooklyn.

By April 1, 1886, newsies returned to their street corners, their hands stained with the ink of the Times and glowing with the satisfaction that their efforts might reward them with a little extra money that day.

SIDE NOTE: It's probably a good guess to say that many of these young workers lived at the Brooklyn Newsboys Lodging House at 61 Poplar Street, which opened its doors in 1884, one year before the opening of the Brooklyn Bridge.

Tuesday, November 15, 2011

Museum mania: the refurbished New York Historical Society, and a stunning debut at the Brooklyn Navy Yard

Anchors Aweigh: A museum finally opens in one of Brooklyn's most restricted outposts

The Brooklyn Navy Yard finally got the museum it deserves this past weekend with the opening of BLDG 92: Brooklyn Navy Yard Center, a badly needed introduction to this long-restricted yet important component of New York history.

The environmentally-friendly new center is affixed to the 1858 Marine Commandant’s residence in one of the city's better old-new hybrids, and visitors are constantly and playfully reminded of the building's forward-thinking approach. (Bathrooms supplied with rainwater!) But it's the history of the Navy Yard -- within the context of Brooklyn's own history -- that's the main attraction here.

The first floor provides an exhaustive but well-spun timeline, weaving the Navy Yard's beginnings into the context of America's own naval history. On opening weekend, there was a sailor and a Rosie the Riveter-type on hand, and even they seemed delighted to play around with the interactive consoles. The second floor further describes the day-to-day workings, with kooky artifacts (old whiskey bottles!) and curious trivia (the Yard was once overrun with cats!) mounted to the walls.

On the third floor is a display on the Navy Yard in wartime, its closure in the 1960s and its transformation into an enclosed industrial park. While I hardly found its first-floor displays of modern products produced at the Yard to be awe inspiring, it's balanced by a moving, even disquieting display of photography on the third floor. The show 'War Photographers', is in memory of Tim Hetherington, the photojournalist (and co-director of the film Restrepo) killed in Libya several months ago. Both he and the gallery's curator Christopher Anderson have a unique connection to the Navy Yards that reinforces this once mysterious place as a vital part of the city today.

Given that admission is free (I believe for the next few weeks, but possibly longer, check their website for more info), this is pretty much a must-see for history buffs and a seamless blend of displays for adults and children. Imagine what this kind of ingenuity could do for the nearby Admirals Row?!


If any place needed a thorough renovation, it was the New York Historical Society. The museum, one of the city's longest enduring cultural institutions, contains New York's greatest treasures. Until recently, however, it's been a tad unpleasant to enjoy many of them.

Not that the Historical Society hasn't put on spectacular exhibits and lectures in the past. For instance, I consider Alexander Hamilton show from 2004 one of my inspirations for creating this podcast and blog in the first place. But the exhibit spaces were often stuffy with a lack of open space, with oversized exhibits twisting down corridors. The museum's prized artifacts were often hard to find or dimly presented.

The lavish new first-floor renovation dispenses with any further obscurity. Here in plain day are all the greatest hits of the museum, boldly presented on the wall or within nooks under foot. In fact, one modern treasure -- Keith Haring's whimsical ceiling from the Pop Shop -- hangs above the ticket booth. To find this just several feet from Gouverneur Morris's wooden leg and the dueling guns of Hamilton and Aaron Burr makes for a grand and  innovative statement.

Finally, the NYHS makes a hard turn for the modern. The Robert H. Smith Auditorium now shows 'New York Story', whisking through New York history with lighting effects, constantly moving screens and a projection of almost IMAX-like proportions. (I was genuinely surprised we didn't get those 4-D effects like rain mist and soap bubbles, but then that would ruin the fancy new auditorium seating.)

A new 'sculpture court' showcases a spectacular rarity (a Revolutionary-War era Torah) while the children's museum downstairs has been heavily revised and seems a genuinely fun experience. A scarlet-hued first-floor gallery presents the NYHS's greatest paintings more accessibly than before.  Upstairs are three new exhibitions, and of course, still on the fourth is the quirky, oddly charming Henry Luce III Center for the Study of American Culture, essentially the most meticulously arranged attic in the city.

For more information visit their website: New York Historical Society. The museum is open until 8pm on Friday nights and now you can dine at a Stephen Starr restaurant there, Caffe Storico.
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