Before 'Newsies': The Brooklyn Newsboys Strike of 1886

The grueling life of a Brooklyn newsboy, taken by Lewis Hine, 1910 (Library of Congress)

The new Disney-produced Broadway musical 'Newsies' puts melody to the events surrounding the Newsboys Strike of 1899. For one week that summer, young newspaper sellers fought back against their employers' unfair pricing schemes, turning their former street corners into places of mass protest. [You can hear all about in our 2010 podcast on The Newsboys Strike of 1899.]

But did the producers of the Broadway show realize they're opening their new musical on the anniversary of another significant strike?

The organized disobedience of 1899 was only the grandest of New York's newsboy strikes. Despite their youth and inexperience, newsies fought back on several occasions throughout the late 19th century. While the image of the street-smart, scrappy whelp was a stereotype often relayed by the newspapers themselves, in some cases, journalism's youngest workforce used its hot-blooded pluck to great advantage.

With the growth of New York after the 1850s came a fierce competition among its many dozens of newspapers, leading to lamentable and unfair business practices aimed at those who actually sold their product. After all, selling newspapers was a grueling job with low financial reward. Adults looked elsewhere for higher paying work, so in the era before substantial child labor laws,  newspapers often employed younger New Yorkers, mostly boys. And children, cynical publishers believed, were a pliable workforce.

The independence the job required initially appeared to discourage any kind of organization, and newspapers felt they could systematically underpay their 'freelance' sellers, often pitting groups of newsboys against each other. A newspaper across the East River, in the pre-consolidation city of Brooklyn, made just such a mistake in March of 1886.

Above: Determined Brooklyn newsies hang around the Brooklyn Navy Yard (at Sands Street) looking for potential buyers. 1903 Picture courtesy Shorpy 

Brooklyn Takes Sides
The Brooklyn Times employed newsboys all throughout the city of Brooklyn, a fast expanding metropolis by the mid-1800s. Originally just the area we consider Brooklyn Heights and the Fulton Ferry, the burgeoning city grew to absorb many Long Island towns along the bay. In 1854, it also expanded to include the independent city of Williamsburgh (today's neighborhood drops the -h) and Bushwick. These new additions were often referred to as the Eastern District.

However, the city of Brooklyn had a good deal more expansion ahead of it and would eventually swell to include many towns south and southeast of its original borders, an area referred to back then as the Western District, including areas like Bay Ridge, Red Hook, and many others. (This is a tad confusing today as many of these areas were later called South Brooklyn; the Eastern/Western distinction makes sense of you orient it with 'true north'.)

In an effort to expand sales into the newer regions of Brooklyn, the Times made a unique deal to Western District newsboys. They would receive stacks of newspapers at a lower cost (one cent per paper) than those sold to Eastern District newsboys (one-and-a-fifth cent per paper). The Times publishers believed this would boost sales by encouraging the Western District newsies to "push sales vigorously in new directions."

Above: Newsies gathered near the Brooklyn Bridge. Courtesy NYPL

Riot on South Eighth Street!
Oh, but when the Eastern District newsboys found this out the following day! On March 29th, according to a report by the Brooklyn Daily Eagle, a hundred newsboys, armed with sticks and stones, stormed the Times distribution offices at South Eighth Street and tried to prevent two wagons of newspapers from heading to the Western District. A whip-wielding wagon driver and arriving police officers thwarted the boys, but one of the trucks was later overturned at the area around today's Brooklyn Navy Yard.

Many Williamsburg newsies refused to sell the Times, even defying orders of older, more compliant newsboys. Wagons filled with papers were continually attacked on their way south. Any regular newsboy caught selling the Times was set upon by other boys, often roving bands "backed by a number of roughs." The Daily Eagle reports of some young newsies hiding newspapers in their jackets, selling them to customers in secret, for fear of reprisal.

The Brooklyn newsboy strike lasted for a couple days. Like the later newsboys strike of 1899, the key to success came from adult newspaper sellers at regular newsstands. Once a few of them joined the boycott, the Times agreed to lower their wholesale cost to just one cent per paper for newsboys in both areas of Brooklyn.

By April 1, 1886, newsies returned to their street corners, their hands stained with the ink of the Times and glowing with the satisfaction that their efforts might reward them with a little extra money that day.

SIDE NOTE: It's probably a good guess to say that many of these young workers lived at the Brooklyn Newsboys Lodging House at 61 Poplar Street, which opened its doors in 1884, one year before the opening of the Brooklyn Bridge.

Notes from the podcast (#133): Red Hook, Brooklyn

A haunting snapshot of the Atlantic Docks, circa 1870-80s (possibly as early as 1872) photo by George Bradford Brainerd (courtesy the Brooklyn Museum) 

Quite a few notes on the podcast this week! There were a lot of little details I found interesting that didn't make the cut:


Before the Water Taxi: One of the more enlightening tales left on the cutting-room floor was that of the Hamilton Avenue Ferry, the 1846 Atlantic Docks ferry line that linked Red Hook with downtown Manhattan in much the same way the IKEA Water Taxi does today. As the ferry made "the shortest and most direct route from New York" to the newly constructed Green-Wood Cemetery, it also became the method by which many bodies were transported there.

Fiery renovation: A stalwart of the old community is Visitation of the Blessed Virgin Mary Roman Catholic Church (built in 1896) right off of Coffey Park, the third incarnation after the congregation grew out of the first building (originally built in 1855) and fire destroyed the second. That fire, incidentally, was allegedly caused by combustible materials workers were using to renovate the structure.

Goodbye Vienna: A vestige of World War I hysteria exists within the name of Red Hook's Lorraine Street. According to Brooklyn By Name, the street was once named Vienna Street but was deemed 'offensive' during the war and was changed to reflect the area of Alsace-Lorraine, which entered French possession after the war.

What's My Name?: I mentioned a couple facts about the neighborhood of Carroll Gardens (once considered a part of Red Hook), although we hope to elaborate further one day on a show on South Brooklyn. The name Carroll Gardens, like that of its neighbors Cobble Hill and Boerum Hill, was a real-estate invention which the community quickly embraced. (Contrast this with modern failures of real-estate re-branding, like Chumbo, BelDel and LoDel.) You might be interested in reading Carroll Garden's original 1973 historic designation.

Below: I'm not quite sure of the story behind this sunken squatters home, taken on Van Brunt Street from the year 1900 (courtesy the Brooklyn Museum) 




Further reading: For more information on the corruption of the  New York and Brooklyn waterfronts , I highly endorse Nathan Ward's 'Dark Harbor'. It's brilliantly lucid and immediate. In particular, he focuses some attention on the disappearance of Columbia Street longshoreman Pietro Panto and vividly describes a mob hit that took place in a building in Manhattan's West Village, in a building next door to the treasured piano bar Marie's Crisis. There are several books that feature chapters on Red Hook history, but a dedicated book on the subject is sorely needed. In the meantime, I recommend the short essay by Jerry Nachman that appears in "Brooklyn: A State of Mind," about, of all things, an air conditioning crisis!

Maggie Blanck has an extraordinary web resource that begins as a genealogy of her family and elaborates into a history of Red Hook's industrial giants. And for those of you who are fascinated by late-century street-gang history, the website Stone Greasers has an exhaustive list of gang names, many more unusual than anything you'd find in the movie The Warriors.

Red Hook as inspiration: Several sources, both on Brooklyn history and film history, discuss Red Hook's impact on the work of both Arthur Miller and Budd Schulberg, the screenwriter of 'On The Waterfront'.

 In 2009, a unique restaging of 'On The Waterfront' took place aboard the Waterfront Barge Museum in Red Hook, a production that then floated to Manhattan and Hoboken waterfronts for further performances, "all places whose dock wars echoed in Terry [Malloy's] story," according to Ward.

Elia Kazan's Oscar-winning film is embedded with influences from the entire New York waterfront struggle. For instance, Karl Malden's Father Barry is transparently inspired by Father Corridan, an activist waterfront priest from Manhattan's west side. (Author J.T. Fisher focuses on Corridan's contribution in his new book 'On The Irish Waterfront'.) Of course no inspiration was greater than Malcolm Johnson's now classic series of articles for the New York Sun in the late 1940s, a series which won the Pulitzer Prize in 1949 -- coincidentally the same year that Miller won for 'Death of A Salesman'!

I suppose there is some controversy in some circles regarding whether Schulberg and Kazan 'stole' the idea of 'Waterfront' from Miller's 'The Hook', but I'm not touching that. However you can read about it yourself in Stephen Schwartz's argumentative 2005 article.

Thanks to commenter Rob Hill who calls to attention another fascinating literary Red Hook reference. In 1957, Harlon Ellison, one of America's great science fiction and crime novelists, literally went undercover with a Red Hook street gang called The Barons to find inspiration for his book 'Web of the City' and, later, in the non-fictional account Memos From Purgatory. Ellison's entire life would probably make a good subject for a podcast one day. Thanks Rob!

Further listening: This show shares many similar themes with our past shows on Williamsburg, Brooklyn and Corlears Hook and the Pirates of the East River. Hmm, and let's just say, we're probably coming back to the waterfront sooner than later this year....

Community vs Neighborhood: One listener Carolina from PortSide NY had some strong objections to my characterization of Red Hook, particularly my focus on the neighborhood's crime and gang activity. I'm excerpting part of her letter, as it highlights a challenge that Tom and I often tackle with our podcast:

"Red Hook housed great poverty, but for decades was more mixed economically than your focus on gangland stories describes. Personally, I find what is most distinctive about Red Hook over the years is the capacity of this small place to hold AT THE SAME TIME a striking economic range in its residents and a striking range of land use from major industry to residences."

That is an undoubtedly true statement, especially when you compare it to the fate of other dockside neighborhoods, like Corlears Hook and Water Street in Manhattan. I find there are two ways to accurately tell a story of a place like Red Hook -- from an organic, street-level or 'ground up' perspective (what I call 'a community history') and from a macro-view, as a component of the larger forces of the city which contain it (or 'a neighborhood history').

As the creators of a New York City history podcast, we opt to recount neighborhood histories, as New Yorkers and those who love this city are familiar with the mechanisms of change that have influenced it. In this decision, we understand that the normalcy of a place can get sometimes overlooked. (After all, not every person in Five Points was a gang member or a prostitute either.)

However, the sad truth is, Red Hook was for many years nationally known as a blighted neighborhood, and it was important to inspect both how it got that way and how that condition demanded some very unique revitalization plans.  I hope I have shown how essential Red Hook was to New York, and continues to be.  We encourage you to wander around the waterfront on a sunny afternoon sometime and, in particular, check out places like the Waterfront Barge Museum.

Red Hook, Brooklyn: A rich seafaring history, organized crime and the isolation of a beleaguered neighborhood

PODCAST Red Hook, Brooklyn, the neighborhood called by the Dutch 'Roode Hoek' for its red soil, became a key port during the 19th century, a stopping point for vessels carry a vast array of raw goods from the interior of the United States along the Erie Canal. In particular, two manmade harbors were among the greatest developments in Brooklyn history, stepping in when Manhattan's own decaying wharves became too overcrowded.

With these basins came a mix of ethnicities to Brooklyn, and along with new styles of row houses came the usual assortment of vices -- saloons and brothels along Hamilton Avenue. This fostered the development of crime along the docks, and Red Hook soon witnessed firsthand the opening salvos of 20th Century organized crime.

How did the history-rich, nautical neighborhood go from a booming center of employment to one of the worst neighborhoods in the United States by the 1990s? And can some surprising twists of fate from the last twenty years help Red Hook return to its glory days?

Featuring: Revolutionary War forts, shantytowns, Vaseline factories, famous gangsters, the gateway to Hell, and cheap Swedish furniture!

You can tune into it below, download it for FREE from iTunes or other podcasting services, or get it straight from our satellite site.

Or listen to it here:
The Bowery Boys: Red Hook: Brooklyn on the Waterfront

Notes, clarifications, sources, and additional information will be posted next week. Photo above: Taken on Van Brunt street, 1/11/2012

 The Atlantic Docks, illustration taken from Booth's History of New York. (care of NYPL)

Modern living, circa 1939. The Red Hook Houses at their debut. Although the housing development cleared away a great many dilapidated homes -- following a common model of urban redevelopment -- the uninspired uniformity would put a dent in the neighborhood's original character. (Courtesy LOC)

The Red Hook Play Center opened in 1936, the final of 11 swimming pools Robert Moses built during his early years as parks commissioner. Its Art Moderne style made it a beautiful if curious addition to the neighborhood.

The Erie Basin, a clutter of vessels and piers, is strangely beautiful from overhead in relation to the Manhattan skyline. (Pic courtesy Wired NY)

The crisis of organized crime and corruption within the longshoreman's union along the Brooklyn waterfront was an inspiration for many writers, including Arthur Miller (below) in his unproduced screenplay 'The Hook' -- referring both to the neighborhood and the longshoreman's "ever-present baling hook". Later, Elia Kazan and screenwriter Budd Schulberg found similar inspiration for the Oscar winning film 'On The Waterfront', loosely basing events on situations that took place along the entire New York and Brooklyn waterfront. (The film was made in Hoboken, but there are of course famous shots of the Manhattan skyline.)

If Wal-Mart can't come to Brooklyn, then Wal-Mart will bring Brooklyn to Arkansas

Francis Guy hangs in good company at the Crystal Bridges Museum.

Wal-Mart is aggressively lobbying to bring its chain of big box stores to the New York City region. In the meantime, a member of the Walton family is buying up bits of New York and taking it back to Bentonville, Arkansas, the headquarters of Wal-Mart located in the Ozark Mountains.

I just got back from visiting my parents who live in neighboring Missouri and swung by Bentonville to visit the Crystal Bridges Museum of American Art, which recently opened in November, the project of Alice Walton, daughter of Wal-Mart founder Sam Walton. It lands in the region a bit like an alien spaceship, its arched and twisted architecture (think L.A.'s Getty Center as inspired by dinosaur fossils and river gulches) just one mile away from the quaint storefront-turned-museum that was the very first Wal-Mart store.

Alice Walton did an infamous tear through the art scene in the last two decades, buying up a great many well-loved works in anticipation of this project. Along the way, she also bought up a significant area of Brooklyn.

Or rather, its most famous early depiction. Francis Guy was one of America's earliest landscape masters, making his home in the village of Brooklyn in 1817. From then until his death in 1820, he painted what interested him from his second floor window on 11 Front Street, a series of panoramic, cool-hued works capturing both Brooklyn's bustle and serenity.

The Brooklyn Museum proudly displays one version of Guy's spectacular work, called 'Winter Scene In Brooklyn'. But the other version of this painting now sits in Arkansas, at Crystal Bridges. It sits in a  prominent place indeed, across from a Gilbert Stuart portrait of George Washington and a noble portrait by John Trumbull of the man the Stuart portrait was painted for, Alexander Hamilton. They're all in great company in this warm, expansive new building.

By the way, his version of 'Winter Scene' once sat on loan next to its companion at the Brooklyn Museum in 2006. The Brooklyn Historical Society has Guy's summertime version of this view.

Holidays on Ice 1861: Skaters flock to Brooklyn's icy ponds

Williamsburg(h)'s Union Pond, one of the finest destinations for ice skating in the city, 1863. It later became America's first enclosed baseball field.

The nation was at war one hundred and fifty years ago, but that didn't stop the austere celebrations in the 'borough of churches'. But while thousands of Brooklyn residents attended church that morning in 1861, many participated in a more whimsical holiday celebration -- wild and uncontrollable ice skating.

So famous was the city of Brooklyn's famed ponds -- which reliably froze each winter -- that New Yorkers by the boatloads crammed into ferries across the East River to join in the icy merriment. On really cold days, of course, it was often the East River itself that froze solid. But in 1861, an unseasonable warmth kept the river disappointingly liquid, forcing thousands of skaters upon Brooklyn's small ponds where the ice quickly melted.

For instance, Washington Pond (at right), at 5th Avenue and 6th Street -- then considered Gowanus, today it's Park Slope -- was normally ideal for skating. Horse-drawn streetcars took crowds right from the Fulton Ferry to the door of the nearby old stone house, built in 1699 and famous for its role in the Revolutionary War. (It's why the pond is named for Washington, after all.) But on Christmas 1861, "the ice was unpleasantly rough" there.

Skaters may have found more success at other Brooklyn skating destinations. The Capitoline Skating Lake, near the train station in the former independent village of Bedford, was known as the "principle pond of the Western District." In Williamsburg, the versatile 'world-renown' Union Pond drew thousands during the winter and thousands more in the summer -- as the nation's first enclosed baseball field. On this particular day, the newly opened pond in its 'gay and brilliant appearance' was crammed with skaters laughing and caroling, in various states of sobriety.

By the afternoon of Christmas 1861, most of the closest ponds were mushy and nearly dangerous. At a pond on Third Avenue, "a gentlemen with two ladies fell trough the ice and took their Christmas immersion without any material damage save a very decided shivering," according to the Brooklyn Eagle.

Urban ice enthusiasts were forced to follow the advice of horsecars festooned with the signs 'Good Skating in East Brooklyn'. I'm not sure exactly where crowds went that day, but a New York Times article from a three years later lists several 'free ponds' that might have been available for ice skating that day, including Seller's Pond "in Bedford, near the Jamaica Pond Road", "Dumbleton's Pond on Myrtle Avenue" and the Suydam's Pond, "on Atlantic-avenue near the Hunters-Ferry road.".

All that skating and merriment drove many to more intoxicating holiday spirits, preferring their drinks 'on the rocks', or as the 1861 Eagle reports, "the boys will insist that 'Christmas comes but once a year' and with it comes a large measure of 'good cheer' and so they must get cheerful." The most serious altercation came with one reveler, tiring of throwing rocks at boys, attempted to pistol whip a police officer.

The more respectable Brooklynites traipsed home at dawn, as the gaslights meet the fading light, casting the wet snow in a bright glare. Many reformed again for choirs of caroling, or else to distribute presents at charity 'Christmas tree exercises', where children lined up outside downtown theaters hoping for presents and a gander at the gorgeously trimmed tree, sparkling with candles.

Top pic courtesy NYPL. Second pic courtesy the Old Stone House.

"New York was his town, and it always would be...”

I hope you all caught part one of PBS's Woody Allen documentary last night. Part of the American Masters series, it was a beautiful tribute, not just to the filmmaker, but to 70s New York, and in particular, Woody's old neighborhood -- Midwood, Brooklyn.

The second part concludes this evening at 9pm EST. I'll be on Twitter during the broadcast (@boweryboys) posting trivia and little pertinent factoids if you'd like to follow along.

Tomorrow I'll have notes, additional information and further reading regarding last week's podcast on the Stuyvesant Apartments.